Here's news about high-definition video recordings of opera, ballet, classical music, plays, fine-art documentaries, and paintings. I call these recordings "HDVDs." In the journal below are independent (and hard-to-find critical) reports on hundreds of HDVDs. Pick the best titles for your excelsisphere.

October 15. We are getting again into symphony titles and the existential issue of DVDitis. I just posted a story on a Mahler 2 recording at the Gewandhaus that might be considered DOA from the dread plague.

I recently put up a story about the 3rd version (!) of the same Giselle production published by Opus Arte. I recently posted a story about the Ekman Midsummer Night's Dream ballet (which has nothing to do with Shakespeare). I also just posted two stories about Shakespeare's The Tempest. The first is a definitive stage play version by the RSC. The second is an updated review of The Tempest movie staring Helen Mirren as Prospera (the female version of Prospero). The movie is streamlined - try it first. Then move on to the RSC "real deal", which is probably the best The Tempest ever made for home viewing.

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Entries in Lorber Films (1)

Tuesday
Mar222011

Genius Within: The Inner Life of Glenn Gould

Genius Within: The Inner Life of Glenn Gould film. Michèle Hozer and Peter Raymont direct this film depicting Glenn Gould's life. Released  2011, disc has 5.1 dts-HD Master Audio sound. Grade: B+

This is the second HDVD documentary produced about the life and art of Glenn Gould. The other, Glenn Gould: Hereafter, has already been reviewed and recommended on this site. For the Glenn Gould aficionado, both titles are probably already must-owns. But for the less fanatical of us, the idea of purchasing two documentaries about the same subject might be overkill. On the surface the two titles are similar: both use SD footage of interviews and performances by Gould plus new interviews and discussion with HD video. There is quite a bit of overlap of historical footage.

But the two films diverge in the scope and tone of the modern-day material. Hereafter is primarily concerned with the legacy of Gould and his still considerable influence (the interviews in Hereafter are not with anyone who knew Gould personally, but rather with fans who fell in love with Gould's playing after his death). Genius Within takes a more direct approach. The interviews are all of friends, colleagues, or former lovers of Gould, who attempt to portray the kind of man Gould was. Where Hereafter is reverential to the utmost degree, Genius Within attempts to show Gould in a more neutral, well rounded light. We learn of an extremely gifted and talented man aware of the power of his fame. And we also learn of his idiosyncrasies and flaws. 

Genius Within also does a better job than Hereafter in explaining why Gould became such a phenomenon. I didn't know much about Gould before watching the these two films. Genius Within gave me clearer understanding than Hereafter of Gould's unique way of playing classic works.