Verdi Les vêpres siciliennes opera to libretto by Charles Duveyrier and Eugène Scribe. Directed 2013 by Stefan Herheim at the Royal Opera House Covent Garden. Stars Lianna Haroutounian (Hélène), Bryan Hymel (Henri), Michael Volle (Guy de Montfort), Erwin Schrott (Jean Procida), Neal Cooper (Thibault), Jihoon Kim (Robert), Jean Teitgen (Le Sire de Béthune), Jeremy White (Le Comte de Vaudemont), Nicholas Darmanin (Daniéli), Michelle Daly (Ninetta), and Jung Soo Yun (Mainfroid). Antonio Pappano conducts the Orchestra of the Royal Opera House (Concert Master Vasko Vassilev) and Royal Opera Chorus (Chorus Director Renato Balsadonna). Dramaturgy by Alexander Meier-Dörzenbach; set designs by Philipp Fürhofer; costume designs by Gesine Völlm; lighting design by Anders Poll; choreography by André de Jong; directed for the screen by Rhodri Huw. Music was recorded with 48kHz/24-bit sound sampling. Released 2015, disc has 5.1 dts-HD Master Audio sound. Grade: A
Les vêpres siciliennes is a French grand opera, an opulent, melodramatic genre that flourished and withered shortly before the American Civil War. Vêpres is considered by experts to be B-grade Verdi. This new production of Vêpres directed by Stefan Herheim at The Royal Opera played late 2013 to mixed print reviews. It came out in HDVD about 15 months later and immediately became a best seller! Why?
Herheim gives the HDVD opera fan (the kind with a HT and high-def TV) everything he could ask for. First, there's a real grand opera with lavish sets and costumes, a big orchestra, star singers, and double choruses portraying all the lugubrious, contrived, switch-back, high-drama situations that anyone could possible image or desire. Every twist in the plot is embellished with it's own glorious aria, duet, trio, quartet, or chorus number, all marching along in endless procession as midnight approaches. This is your money's worth. Second, for the younger set, Herheim provides a stylish update: instead of being set in the late-middle ages, the opera happens in 1850 in a Paris opera house. Third, for the intellectuals, there's a modern overlay with imaginary characters appearing throughout (such as a young boy in various costumes) which have meanings that are (usually) relatively easy to grasp from context (few Eurotrash-level mysteries). Finally, Herheim adds dancing whenever he can. Some of the ballet dancers do double duty as silent characters, and the chorus gets to do a lot of peasant dancing as well. (The Royal Ballet pulled out of this production on short notice, probably because its choreographer wanted to mount a discrete 40-minute show right in the middle of the opera, as was customary in Paris in 1850. Herheim then hired completely new free-lance forces to work under André de Jong, and the result is the best use of ballet in an opera that I know of.) So you wind up with more than your money's worth. Now to screenshots.
"The Sicilian Vespers" is the name (here in English) of a successful popular uprising by the people of Sicily against French occupation forces in 1282. Legend says John of Procida, a Sicilian physician and diplomat, led the uprising, which was signaled by the ringing of church bells at vespers on the Monday after Easter. Here we see Erwin Schrott as Procida, who has a ballet school at his palace. He's been reading in the newspaper about the French invasion of his country:
Guy de Montfort, the new French governor, heard about the girls at the ballet school. He and his men break in to rape them. Montfort gets first pick:
From this union a child named Henri Nota will be born. But neither Henri nor Montfort will know about any of this for many years:
The people of Sicily chafe under French rule:
Lianna Haroutounian plays Hélène, a Sicilian aristocrat. (Marina Popslavskaya was scheduled to sing this, but Haroutounian became a real-life heroine when Popslavskaya called in sick.) Hélène's brother was recently executed for sedition, and Hélène is being held hostage by Montfort. But she is fearless in urging her people to resist the occupation (Hélène holds her brother's skull):