Die 12 Cellisten 40 Years Anniversary Concert. Performed 2012 by the cello section of the Berliner Philharmoniker at the Philharmonie Berlin.
Cellists for the concert are (in order of seniority): Ludwig Quandt, Martin Löhr, Olaf Maninger, Richard Duven, Rachel Helleur, Christoph Igelbrink, Solène Kermarrec, Stephan Koncz, Martin Menking, David Riniker, Nikolaus Römisch, Dietmar Schwalke, and Knut Weber. If you're sharp, you'll note there are 13 names in the preceding sentence. In 2012, the cello section had been expanded to 13 members, but the repertoire of the group was still written for 12 instruments. (As I write this in February 2015, the cello section has been further expanded to 14.) So somebody normally gets a day off. In the concert filmed for this HDVD, 12 members play the main program, and all 13 play the 4 encores.
Here's the wide-ranging program:
1. Julius Klengel Hymnus
2. Jean Françaix Aubade
3. Astor Piazzolla Suite del Ángel
4. Maurice Vandair and Henri Bourtayre Fleur de Paris
5. Gabriel Fauré Pavane
6. Vincent Baptiste Scotto Sous les ponts de Paris
7. Michel Legrand Une femme est une femme
8. Herman Hupfeld As Time Goes By
9. Claude Debussy L'âme évaporée (Annette Dasch soprano)
10. Claude Debussy Les Cloches
11. Maurice Ravel Vocalise-Étude (Annette Dasch soprano)
12. Ennio Morricone The Man with the Harmonica
13. Juan Tizol and Duke Ellington Caravan
14. Astor Piazzolla Fuga y misterio
15. Édith Piaf La vie en rose (1st of the encores)
16. Wilhelm Kaiser-Lindemann Bossa for Twelve
17. Thelonious Monk Round Midnight (Till Brönner trumpet)
18. The Beatles Yesterday
For the concert--- Director: Michael Beyer; Director of Photography: Günter Euringer; Sound: Christian Feldgen; Editor: Cetin Tutak; Producer: Grete Liffers; Producer: Grete Liffers; Line Producer: Claudia Krüger.
Title also includes a 59 minute documentary, The 12 Cellists. For the documentary--- Director: Enrique Sánchez Lansch; Directors of Photography: Isabelle Casez and Henning Brümmer; Sound by Andreas Köppen; Editor: Julia Oehrig; Sound Editor: Sven Piesker.
Concert music was recorded with 48kHz/24-bit sampling for both stereo and surround. Released 2012, disc has 5.1 dts-HD Master Audio sound output. Grade: B+
I was not enthusiastic about this title when I bought it. But if it's good enough for Mr. Sting and his wife Trudie Styler (the famous and happy Twin Spirits couple on the left of the second row from the bottom), it ought to be good enough for me. The first two times I watched this, I thought the sound of 12 cellos to be too monotonous and raspy. But then I got over that and began to enjoy the music more and more. The composers and arrangers for the 12 Cellisten keep the numbers short and varied. The purpose of this music isn't to compete with chamber music generally---the purpose is to have fun showing off the virtuosity and versatility of the cellists:
And how do you make a video of 12 cellists without boring the viewers? The next screenshot shows their standard seating arrangement:
Obviously the TV director has to vary the angles often as you see in the next two screenshots:
And here's the prettiest shot of all during a number when the lights were turned up. This group of super-elite players seems to be very democratic. On your far left is the leader, Ludwig Quandt. On your far right is Martin Löhr, who is, I think, second in command. I get the impression that the assignments for playing melody, harmony, rhythm, and even percussion parts of the repertoire are distributed evenly so that everybody gets to do everything. When you become a member of the cello section at the BPO, you take on two careers: (1) a member of a great orchestra and (2) a member of a unique chamber music ensemble. Your career with the 12 is entirely lived out at times when the BPO is off-season. This must be a very demanding life. As far as I can tell, everyone in the section is required to do it all. I wonder: is any room left for office-politics in a group like this? Or do the members develop a deep relationship like soldiers facing a common enemy? And do all the rehearsals and performances as a section give them a unique advantage over cello sections in other orchestras?
Thank Goodness there's only one really bad shot like this:
To add variety to the video, the TV director can add close-ups like this shot of the intellectual-looking Martin Minkus: